Post‑production for storytellers.
Film, trailer, scene, and demo reel editing out of Los Angeles, by a director who has been cutting since she was eight years old. Story, pacing, and sound, handled in one place.
An edit for every story.
One-time starting prices in USD, with two revision rounds. The final price depends on the footage and runtime.
- 001
Demo reels
Your strongest moments, cut to lead, with a first ten seconds that hold.
For actors who have the footage and want a reel that leads with their best work.
- 002
Scene edits
Individual scenes cut and balanced so the performance is what reads.
For actors and filmmakers who need a scene finished, for fresh reel material or a specific submission.
- 003
Teasers
A short, sharp first look, built to travel and true to the world of the film.
For filmmakers who want a first look at the film that sets the mood without giving the story away.
- 004
Trailers
The two minutes that make programmers and audiences want the rest.
For filmmakers taking a finished film to festivals, distributors, and audiences.
- 005
Short films
Story-first cuts that hold an audience from first frame to last.
For filmmakers with a short film shot and ready to find its shape in the edit.
Quote on request
- 006
Social cutdowns
Vertical cutdowns paced for the feed, true to the film's tone.
For filmmakers and actors who want clips from their work that feel like the film, not an ad for it.
From $75 per clip
Stories we've helped shape.
See all editsIncluded in every edit.
- 001
Story-first cut
Structure and pacing shaped around what the piece is trying to say.
- 002
Sound balanced
Dialogue cleaned up and levels matched across sources.
- 003
Two revision rounds
One set of notes per round, from everyone at once.
- 004
Ready to share
Exports for wherever it's going: casting sites, festivals, or the feed.
How an edit comes together.
Share what it is, where it's going, and when you need it.
Through a private link from whatever you already use: Frame.io, Google Drive, Dropbox, or WeTransfer.
You review each cut and send one set of notes per round.
You get final exports for wherever the work is going.
Before you ask.
Do you work with people outside Los Angeles?
Yes. The studio is in Los Angeles, but editing happens on files, so where you are is not a limit. Footage comes in over a link and cuts go back the same way.
What do you need from me to start?
Your footage and a sense of where you are trying to get: a rep, a festival, a casting submission. Notes on favourite takes help, but they are not required.
How long does an edit take?
It depends on scope, so you get a specific timeline with your quote rather than a guess up front. Most inquiries are answered within a couple of business days.
Can you cut a reel from footage I already have?
That is most of the work. Scenes come from different shoots with different sound, and the job is to balance them so the performance reads as one piece.
Do you handle sound and color too?
Sound is part of every edit: dialogue cleaned up and levels balanced, rather than a separate vendor you have to brief again. Color grading is available as an additional cost.
How do I send large footage?
Through a private transfer link from whatever you already use: Frame.io, Google Drive, Dropbox, or WeTransfer. You paste the link into your project page, so nothing has to squeeze through email.
How do notes work?
Each cut goes up in your project page with a review link. You collect everyone's notes in one place, add timestamps where they help, and send them back as a single set. When a cut is right, you approve that version.
Send us the footage.
Tell us what the piece is for and where it needs to go. You'll get a clear plan, a timeline, and a quote.